domingo, 25 de octubre de 2015

Ausencia y presencia, Galería de Arte Murillo (Oviedo)



El espacio es para mí una presencia y una ausencia. También es el instrumento del que me sirvo para manejar ideas y la percepción de las identidades individuales. A través de la manipulación del espacio y la luz intento rastrear la dualidad entre lo que somos y lo que no somos, sirviéndome para ello de paisajes que han sido claves en mi vida; escenarios registrados en mi memoria, visualizados desde la necesidad del recuerdo.
Como contrapunto, mis interiores están planteados a partir del concepto del vacío del espacio,  estancias desoladas desprovistas de detalles.
Somos nosotros, los individuos, los que damos forma a los lugares que habitamos; es el propio cuerpo el que activa el espacio y no la existencia del espacio en sí.
Porque quitando los objetos que dan sentido a nuestra vida, no nos deja otra opción que mirar introspectivamente para llenar los espacios vacíos que parecen percibirse. Es esa  búsqueda constante de pertenencia y aceptación la que me motiva.
  

Monica Dixon




lunes, 18 de mayo de 2015

jueves, 9 de abril de 2015

A Universal Truth - Barnadas Huang Art Gallery (Singapore)


A propósito de mi próxima exposición individual 'A Universal Truth' en la Galería Barnadas Huang (Singapur)
del 11 de abril al 10 de junio

Regarding my SOLO EXHIBITION in Barnadas Huang Art Gallery (Singapore)







Space, to Mónica Dixon, is a presence and an absence. It is also an instrument she wields with skilful precision to challenge our ideas and perception of our individual identities. In A Universal Truth, Mónica explores the dichotomy between what we are and who we are. To do so, she takes a series of deceptively simple images and forces us to consider the division between the physical spaces of house – a structure we take for granted – and the social construct of a home. Through an adept manipulation of space and light, she builds a timeless world that is uninhabited by man or machine.
Her exterior canvases depict structures painted with painstaking detail. Dixon’s mysterious houses sit calmly on vast plains and at the brink of anonymous interstate highways. As a counterpoint, her interiors present desolate staircases and hallways devoid of the details and context that differentiates a house from a home.
Dixon therefore creates dissonance by transforming the familiar into the unfamiliar, highlighting the house as a vessel for our distinct identities against a primal need for shelter. Through this, we are invited to consider our understanding of what a home is and means, forcing us to consider how we as individuals shape the spaces we inhabit and vice-versa.
By stripping away the very objects that give our lives meaning, she leaves us no choice but to look introspectively to fill the empty spaces we seem to know. And, it is our constant and perpetual search for belonging and acceptance that grounds this universal truth.
Mónica Dixon (b. 1971, New Jersey, USA) received her Bachelor of Fine Arts from Rutgers University in 1997. Mónica’s works have entered public and private collections in the United States, France, Spain, Middle East, Hong Kong and Singapore. She now lives and works in Asturias, Spain.

SG - The Insider's Guide To Singapore





miércoles, 11 de marzo de 2015

ART CENTRAL HONG KONG





Entrevista a propósito de mi participación en ART CENTRAL HONG KONG (13 al 16 de marzo) y mi próxima exposición individual en Barnadas Huang en Singapur
In this highly illuminating interview with Monica Dixon, whose works debut at Art Central Hong Kong from 13 to 16 March 2015, the artist talks about her past, present and (what she thinks of her) future.
A Universal Truth: An Interview With Monica Dixon

Singapore Art Gallery Guide

Thank you, Art Central HK!

Wording Art





















Space, to Monica Dixon, is a presence and an absence.   It is also an instrument she wields with skilful precision to challenge our ideas and perception of our individual identities.
In “A Universal Truth”, Dixon explores the dichotomy between what we are and who we are.  To do so, she takes a series of deceptively simple images and forces us to consider the division between the physical space of house – a structure we take for granted – and the social construct of a home.  Through an adept manipulation of space and light, she builds a timeless world that is uninhabited by man or machine.
Her exterior canvases depict structures painted with painstaking detail.  Drawing inspiration from landscapes that evoke the works of Andrew Wyeth and Edward Hopper, Dixon’s mysterious houses sit calmly on vast plains and at the brink of anonymous interstate highways.  As a counterpoint, her interiors present desolate staircases and hallways devoid of the details and context that differentiates a house from a home.
Dixon therefore creates dissonance by transforming the familiar into the unfamiliar, highlighting the house as a vessel for our distinct identities against a primal need for shelter.  Through this, we are invited to consider own understanding of what a home is and means, forcing us to consider how we as individuals shape the spaces we inhabit and vice-versa.
By stripping away the very objects that give our lives meaning, she leaves us no choice but to look introspectively to fill the empty spaces we seem to know.  And, it is our constant and perpetual search for belonging and acceptance that grounds this universal truth.